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Issues

Volume 142, Issue 4
Fall 2013
Daedalus Cover Image for Volume 142, Issue 4
All Issues
ISSN 0011-5266
EISSN 1548-6192
In this Issue

American Music

Introduction: This is Our Music
Gerald Early
Daedalus (2013) 142 (4): 5–10.
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The Screamers
Patrick Burke
Daedalus (2013) 142 (4): 11–23.
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Yellow Skin, White Masks
Mina Yang
Daedalus (2013) 142 (4): 24–37.
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Listening to the Now
David Robertson
Daedalus (2013) 142 (4): 38–44.
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Homophobia in Twentieth-Century Music: The Crucible of America's Sound
Nadine Hubbs
Daedalus (2013) 142 (4): 45–50.
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The Ruth Crawford Seeger Sessions
Ellie M. Hisama
Daedalus (2013) 142 (4): 51–63.
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“The Way I Would Feel About San Quentin”: Johnny Cash & the Politics of Country Music
Daniel Geary
Daedalus (2013) 142 (4): 64–72.
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Hollywood as Music Museum & Patron: Bringing Various Musical Styles to a Wide Audience
Charlotte Greenspan
Daedalus (2013) 142 (4): 73–81.
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Swing: From Time to Torque (Dance Floor Democracy at the Hollywood Canteen)
Sherrie Tucker
Daedalus (2013) 142 (4): 82–97.
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Fancy Meeting You Here: Pioneers of the Concept Album
Todd Decker
Daedalus (2013) 142 (4): 98–108.
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Long Time, No Song: Revisiting Fats Waller's Lost Broadway Musical
John H. McWhorter
Daedalus (2013) 142 (4): 109–119.
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A New Kind of Blue: The Power of Suggestion & the Pleasure of Groove in Robert Glasper's Black Radio
Guthrie P. Ramsey, Jr.
Daedalus (2013) 142 (4): 120–125.
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The Sound of Racial Feeling
Ronald Radano
Daedalus (2013) 142 (4): 126–134.
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Satchmo's Shadow: An Excerpt from Satchmo at the Waldorf
Terry Teachout
Daedalus (2013) 142 (4): 135–139.
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Excerpts from Passport to Paris
Vernon Duke
Daedalus (2013) 142 (4): 140–145.
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A Good Chord on a Bad Piano
Weldon Kees
Daedalus (2013) 142 (4): 146.
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  • Online ISSN 1548-6192
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