Skip Nav Destination
Article navigation
Spring 2006
April 01 2006
The Designer as Author: Reading the City of Signs—Istanbul: Revealed or Mystified?
Gérard Mermoz
Online ISSN: 1531-4790
Print ISSN: 0747-9360
© 2006 Massachusetts Institute of Technology
2006
Design Issues (2006) 22 (2): 77–87.
Citation
Gérard Mermoz; The Designer as Author: Reading the City of Signs—Istanbul: Revealed or Mystified?. Design Issues 2006; 22 (2): 77–87. doi: https://doi.org/10.1162/desi.2006.22.2.77
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
Advertisement
Cited By
Related Articles
On the Stages of Istanbul: Atatürk and the New Young Turks
TDR/The Drama Review (June,2007)
Imagining a Global Sovereignty: U.S. Counternarcotic Operations in Istanbul during the Early Cold War and the Origins of the Foreign “War on Drugs”
Journal of Cold War Studies (April,2016)
The Park, the Penguin, and the Gas: Performance in Progress in Gezi Park
TDR/The Drama Review (September,2014)
Introduction to İsmail Saray's Leonardo da
Vinci
ARTMargins (October,2014)
Related Book Chapters
Rat Destruction in Istanbul and Hamburg
Sulphuric Utopias: A History of Maritime Fumigation
Istanbul (1911): The Pavilion (Kӧsk)
Le Corbusier, the Noble Savage: Toward an Archaeology of Modernism
Natural Signs and Intentional Signs
Varieties of Meaning: The 2002 Jean Nicod Lectures
Istanbul (1911): The Summer House on the Waterfront (Yali)
Le Corbusier, the Noble Savage: Toward an Archaeology of Modernism