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Winter 1998
December 01 1998
Hunter's Moon and Flower: Two Performances by Joan Dickinson
Joan Dickinson,
Joan Dickinson
Artist and writer whose current work takes place on the farm and wildlife preserve on which she lives involving complex collaborations with people, weather, and bus availability. Other less site-specific work has been seen throughout Chicago and the midwest, as well as in New York, Los Angeles, Europe, and the UK. She also teaches at Columbia College and the School of the Art Institute of Chicago
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Dawn Mallozzi,
Dawn Mallozzi
Artist and writer, as well as the cofounder and Director of Ex-perimental Sound Studio in Chicago, a sonic arts organization providing public-access recording facilities, workshops, organizational collaborations, artists projects, and radio distribution of artists' works
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Iris Moore
Iris Moore
Performance artist who currently works as a riding instructor at Glen Grove Equestrian Center in Illinois
Search for other works by this author on:
Joan Dickinson
Artist and writer whose current work takes place on the farm and wildlife preserve on which she lives involving complex collaborations with people, weather, and bus availability. Other less site-specific work has been seen throughout Chicago and the midwest, as well as in New York, Los Angeles, Europe, and the UK. She also teaches at Columbia College and the School of the Art Institute of Chicago
Dawn Mallozzi
Artist and writer, as well as the cofounder and Director of Ex-perimental Sound Studio in Chicago, a sonic arts organization providing public-access recording facilities, workshops, organizational collaborations, artists projects, and radio distribution of artists' works
Iris Moore
Performance artist who currently works as a riding instructor at Glen Grove Equestrian Center in Illinois
Online Issn: 1531-4715
Print Issn: 1054-2043
© 1998 Massachusetts Institute of Technology
1998
TDR/The Drama Review (1998) 42 (4 (160)): 14–36.
Citation
Joan Dickinson, Dawn Mallozzi, Iris Moore; Hunter's Moon and Flower: Two Performances by Joan Dickinson. TDR/The Drama Review 1998; 42: 4 (160), 14–36. doi: https://doi.org/10.1162/105420498760308337
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