/6/m_dram.2020.64.issue-3.cover.jpeg?Expires=1655787937&Signature=ubruA9qaJZ0Wa4PADATKVR4oUkl5IpSHDFWPuHe0h24iU5gNzPr9U20oFMHWqhScBFQXjQf3joThd-u9E8iwaulCzRnk3evM5V0rzCv7~~JG2PNwNMmvx1ZvbCRaEzo70GZ9CAbbfZICic5ahUJDS2Hyslj4W4FMU4fRW-XkxByyX~VRfcFd2rVKuZYPnZRJiAg-4kmBfOTHKCTbea8I16n~sTHjafS7Coz9Y3ZmyjcAyfPi7Vl6fAn1nmy8-VBtzCZeOTYOKeH-T9rm4lkRQNEyWZDMIkRrZ0SWpuyjqUTi303N5lP2N6j5rjY~rz9NICKQjvyoN3gESwMZxwYFbg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Abstract
Throughout his life, Brecht reworked his heroes and anti-heroes as self-portraits. His success lies in the degree to which he makes something objective out of the most subjective sources.
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© 1999 New York University and the Massachusetts Institute of Technology
1999
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