Brecht, Feminism, and Chinese Theatre

Associate Professor of Drama at Tisch School of the Arts/NYU.Martin is the author of Dance Marathons: Performing American Culture of the 1920s and 1930s (University Press of Mississippi, 1994), which was awarded a De laTorre Beuno citation; the editor of A Sourcebook of Feminist Theatre (Routledge, 1996) and the coeditor (with Henry Bial) of Brecht Sourcebook (Routledge, 1999);the book review editor of TDR, and the coeditor of Studies in Dance History, the bookseries of the Society of Dance History Scholars.