Abstract
This issue's Critical Acts section features Marina Abramovic's 12-day life/art installation at a Chelsea gallery; Yelena Gluzman's “Science Project” on Ibsen's A Doll's House at the Performing Garage in New York; and Tim Miller's report from Tokyo, where he performed Body Blows, based on his book of the same name.
Issue Section:
Critical Acts
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© 2003 New York University and the Massachusetts Institute of Technology
2003
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