Abstract
In post-apartheid South Africa, economic inequity between the races, street violence, rivalries between the African National Congress and the Inkatha Freedom Party, and the AIDS pandemic continue to vex the nation. In this context, the larger narratives of apartheid and colonialism are joined by personal narratives of individual discovery. The result is theatre that is finding new forms, performance situations, and audiences.
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© 2004 New York University and the Massachusetts Institute of Technology
2004
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