Abstract
The apprehension created by participation in globalization while maintaining local culture and politics has altered our sense of history, identity, and aesthetics. The proliferation of new-millennium identities and epistemologies obliges scholars to know the local in the context of the global and the global in the context of the local. Looking at Japanese performance as one crucible of globalization makes the difficulty of this task apparent.
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© 2006 New York University and the Massachusetts Institute of Technology
2006
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