Chinese multimedia artist Qiu Zhijie's “total art” exhibition, The Ataraxic of Zhuang Zi, combines cultural fieldwork, historical documentation, sociological investigation, and cross-media artworks to intervene into the disturbing phenomenon that has turned the Nanjing Yangzi River Bridge into China's most popular suicide location.

Issue Section:
Articles
This content is only available as a PDF.
© 2009 New York University and the Massachusetts Institute of Technology
2009
You do not currently have access to this content.