Crossing Paths: SIGNA's The 11th Knife at PSi #14

Keidl, Philipp Dominik; Smalec, Theresa; Espi-Sanchis, Sarah

doi:10.1162/dram.2009.53.4.176

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November 01 2009

Crossing Paths: SIGNA's The 11th Knife at PSi #14

Philipp Dominik Keidl,

Philipp Dominik Keidl

Philipp Dominik Keidl has studied theatre, film, and media at the University of Vienna, the University of Copenhagen, and Trinity College, Dublin. He participated in projects with the Deutsche Kinemathek, Deutsches Historisches Museum, and the Bundesarchiv-Filmarchi, and is currently writing his dissertation about the representation of HIV/AIDS in visual art.

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Theresa Smalec,

Theresa Smalec

Theresa Smalec's dissertation from the Department of Performance Studies, New York University—“Body of Work: Reconstructing Ron Vawter's Performance Career”—won her the 2009 Monroe Lippman Award for Distinguished Doctoral Dissertation. She is a Substitute Assistant Professor in the Department of Communication Arts and Sciences at Bronx Community College/CUNY.

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Sarah Espi-Sanchis

Sarah Espi-Sanchis is an MA candidate in the Erasmus Mundus program in International Performance Research. She graduated from the University of Cape Town with a degree in drama and anthropology and later participated in the African Programme of Museum and Heritage Studies. She was given PSi's 2009 Dwight Conquergood Award in recognition of drama workshops she developed with juvenile offenders in Cape Town.

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Author and Article Information

Philipp Dominik Keidl

Philipp Dominik Keidl has studied theatre, film, and media at the University of Vienna, the University of Copenhagen, and Trinity College, Dublin. He participated in projects with the Deutsche Kinemathek, Deutsches Historisches Museum, and the Bundesarchiv-Filmarchi, and is currently writing his dissertation about the representation of HIV/AIDS in visual art.

Theresa Smalec

Theresa Smalec's dissertation from the Department of Performance Studies, New York University—“Body of Work: Reconstructing Ron Vawter's Performance Career”—won her the 2009 Monroe Lippman Award for Distinguished Doctoral Dissertation. She is a Substitute Assistant Professor in the Department of Communication Arts and Sciences at Bronx Community College/CUNY.

Sarah Espi-Sanchis

Sarah Espi-Sanchis is an MA candidate in the Erasmus Mundus program in International Performance Research. She graduated from the University of Cape Town with a degree in drama and anthropology and later participated in the African Programme of Museum and Heritage Studies. She was given PSi's 2009 Dwight Conquergood Award in recognition of drama workshops she developed with juvenile offenders in Cape Town.

Online ISSN: 1531-4715

Print ISSN: 1054-2043

2009

TDR/The Drama Review (2009) 53 (4 (204)): 176–182.

https://doi.org/10.1162/dram.2009.53.4.176

Abstract

This performance installation was a campsite inhabited by a small group who opened their activities to the public 24 hours a day, for the five days of the Copenhagen PSi conference. Those who entered the campsite were invited to play a “game of life and death” in which the weakest contestant would be sacrificed.

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Crossing Paths: SIGNA's The 11th Knife at PSi #14

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