One dancer, one choreographer, one filmmaker. Together they recursively confront Sherman's by now famous, gender-inflected, photographic self-enactments, probing the conventions and lingering specificity, if any, of the media and art forms in our hybridized digital culture. In their intermedial performances, these media and art forms become the means and the objects of analysis.

Issue Section:
Articles
This content is only available as a PDF.
© 2010 New York University and the Massachusetts Institute of Technology
2010
You do not currently have access to this content.