Abstract
Heiner Goebbels's music theatre work Stifters Dinge is a performance without human performers, a “no-man show” in which things are the thing. In its exhibition of mobile scenic elements and automated musical instruments, it is a meditation on objecthood, materality, and the environment that nevertheless reveals a humanity at its center.
Issue Section:
Critical Acts
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© 2010 New York University and the Massachusetts Institute of Technology
2010
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