Abstract
A flush of new theatre ensembles producing, for the most part, group-devised work prompts questions about the viability of the term avantgarde, the confluence of events behind the activity of this latest “bunch of experimental theatres,” and their relationship to the original “bunch” from the 1970s.
Issue Section:
Caught Off-Garde: New Theatre Ensembles from NYC (Mostly)
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© 2010 New York University and the Massachusetts Institute of Technology
2010
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