Abstract
The Play Company's production of Enjoy, Okada Toshiki's wry and tender portrait of 20-something slackers looking for love and meaning in contemporary Tokyo highlights the play's witty dialogue. The New York production of this English translation reveals that in our recession-ridden times, the anxieties of today's Japanese youth are not so different from our own.
Issue Section:
Critical Acts
This content is only available as a PDF.
©2011 New York University and the Massachusetts Institute of Technology
2011
You do not currently have access to this content.