Joanna Frueh has developed her own contemporary ars erotica, in which seduction is both a persistent motif and performance strategy. Frueh has embodied numerous seductive personas, mirroring her own iterative process of self-transformation. The investigation of Frueh's “art of seduction” uncovers its relevance for her live performances since 1979.

Issue Section:
The Ars Erotica of Joanna Frueh
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©2011 New York University and the Massachusetts Institute of Technology
2011
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