Abstract
The Lower East Side has long served as a “sacralized spot” of Jewish memory, in Hasia Diner's words. But in Once Upon a Time in America, Sergio Leone—neither Jewish nor American—demystifies the images and performances that went into the sacralization of this space, and in so doing radically questions the politics of memory that gathered around it.
Issue Section:
Jewish American Performance
This content is only available as a PDF.
©2011 New York University and the Massachusetts Institute of Technology
2011
You do not currently have access to this content.