Abstract
The Bottle Dance in Fiddler on the Roof was inspired by what the director/choreographer Jerome Robbins called “field research” at Orthodox Jewish weddings. Reshaped and expanded by Robbins's masterful showbiz sensibility, it became a show-stopping number—and, thus transformed, filtered back out of the musical into Jewish celebrations to confer “tradition.”
Issue Section:
Jewish American Performance
This content is only available as a PDF.
©2011 Alisa Solomon
2011
You do not currently have access to this content.