Abstract
Canadian artist Brian Jungen has achieved international fame for taking mass-produced goods—plastic chairs, gas cans, basketball sneakers—and transforming them into intricately wrought pieces that resemble First Nations art objects. Displayed in the Smithsonian's National Museum of the American Indian, Jungen's pieces produced a Brechtian Verfremdungseffekt.
Issue Section:
Critical Acts
©2011 New York University and the Massachusetts Institute of Technology
2011
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