Abstract

The Builders Association construct their multimedia extravaganzas by means of intense and prolonged research, workshop experiments, interactions among participating artists, and a deep knowledge of postmodern globalized societies. Artistic director Marianne Weems, dramaturg-writer James Gibbs, and performer-writer Moe Angelos in conversation with Richard Schechner range over TBA's deeply collaborative methods and how these have developed from early influences to their most recent works.

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