As the Science Gallery of Dublin's Trinity College celebrates 10 years of art-science collaboration at SymbioticA, how are artists and critics articulating the politics of bioart? Recasting the Tissue Culture and Art Project's Pig Wings Project (2002) within a genealogy of feminist maintenance art highlights bioart's capacity to engage meaningfully with gender, race, and class in biotechnology.

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©2012 New York University and the Massachusetts Institute of Technology
2012
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