Abstract
Rex Nettleford's Katrina, performed by Jamaica's National Dance Theatre Company, projects both the un/natural disaster that befell North America's Gulf Coast in 2005 and the ways in which the Greater Caribbean has transformed experiences of bondage, marginalization, and suffering into a culturally affirmative creative impulse.
Issue Section:
New Orleans after the Flood
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©2013 New York University and the Massachusetts Institute of Technology
2013
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