Abstract
Christy's Minstrels set a new standard for minstrel performance in mid-Victorian Britain. Yet reception was far from monolithic: the cultural affiliations of audiences led to important regional differences in reception, including room for racialist perspectives complicated by religion, nationalism, class, and antislavery convictions.
Issue Section:
Routes of Blackface
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©2013 New York University and the Massachusetts Institute of Technology
2013
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