The first full production of Alice Tuan's allegedly “unstageable” play raises questions about the future of brutalist theatre and the avantgarde legacy of transformative shock. The diminishing returns of offending the audience allow us to consider how, when, and why we might still feel (and be made to feel) unsettled by the reenactment of violence.

Issue Section:
Critical Acts
This content is only available as a PDF.
©2013 New York University and the Massachusetts Institute of Technology
2013
You do not currently have access to this content.