The landscape of hip hop among Jewish and Palestinian communities in Israel may be understood as the performative interplay of two discursive strategies: exile and emergence. The shift from exile to emergence, embodied in the work of several contemporary hip hop artists, offers a unique reimagining of the Israeli nation-state and provides opportunities for interrogating the dynamics of power and performance in Israel/Palestine.

Issue Section:
Articles
This content is only available as a PDF.
©2013 New York University and the Massachusetts Institute of Technology
2013
You do not currently have access to this content.