During the same week in November 2012, hostilities erupted between Israel and the Gaza Strip and Toneelgroep Amsterdam brought Roman Tragedies to the stage in Brooklyn. As the conflict in the Middle East took on digital dimensions via Twitter, the play's own engagement with that technology staged contemporary geopolitical spectatorship.

Issue Section:
Critical Acts
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© 2013 New York University and the Massachusetts Institute of Technology
2013
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