Abstract
In the early 21st century, Williamsburg and Bushwick—two Brooklyn neighborhoods—became home to a glut of experimental performance venues. The location, neighborhoods colloquially called “frontiers,” suggests that this avantgarde’s experimentation demanded geographic poverty—peripheral, deindustrialized areas where neoliberal policy and racism obscured existing meanings of place.
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Articles
©2014 New York University and the Massachusetts Institute of Technology
2014
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