Set in a digital future of virtual realms and imagined spaces, Jeremy Herrin’s production of Jennifer Haley’s The Nether questions what it might mean to exist outside of consequence. Blurring the lines between virtuality, reality, and theatricality, The Nether demands that we reconsider just how we make sense of the world and ourselves.

This content is only available as a PDF.
You do not currently have access to this content.