Abstract
A contemporary restaging of Pandit Radheshyam Kathavachak’s mythological play Heroic Abhimanyu in the style of Parsi theatre raises questions about postcolonial mimicry, hybrid theatre forms, and the vicissitudes of reviving traditional theatre in India.
Issue Section:
Articles
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©2015 Pamela Lothspeich
2015
Supplementary data
dram_a_00447-photo- zip file
dram_a_00447-supplemental media guide- pdf file
dram_a_00447-audio- zip file
dram_a_00447-cakravyuh-mishra- mpg file
dram_a_00447-cakravyuh-ramlila- mpg file
dram_a_00447-cakravyuh-rangvinayak- mpg file
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