PREMIERE (2013) by Maria Hassabi presents ontological challenges to dance spectatorship and scholarship by foregrounding micro-choreographies that emerge through slow-paced movement and extended duration. Kinesthetic attunement and duration are posed as critical concepts, despite evidence that both are undertheorized as choreographic strategies for premiering new bodies and subjectivities.

Issue Section:
Critical Acts
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©2015 New York University and the Massachusetts Institute of Technology
2015
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