Abstract
Kelly Nipper’s video installation Weather Center (2009) is emblematic of the presence of dance in recent visual art. Nipper’s persistent fascinations with Mary Wigman, Laban Movement Analysis, and expansive notation practices result in live performances, moving-image installations, and photographs, creating visual art that reveals how dance and its particular histories can function as malleable material within the museum.
Issue Section:
Student Essay Contest Honorable Mention
©2016 New York University and the Massachusetts Institute of Technology
2016
You do not currently have access to this content.