The choices audiences make in “self-scheduled” smartphone plays inevitably inform their experiences. How does the lack of site-specificity in these works that take place exclusively through mobile technologies enable a greater sense of intimacy between dis-placed actor and audience? And how do these plays challenge the self-surveillance mechanisms embedded within social media technologies, even as they exploit them?

Issue Section:
Critical Acts
©2016 New York University and the Massachusetts Institute of Technology
2016
You do not currently have access to this content.