Skip Nav Destination
/6/m_dram.2016.60.issue-4.cover.jpeg?Expires=1704805890&Signature=zdltZTiKYhFXuW4CVspS-xPt29Hjq6uAfwvrL8ycIkE55PReeGeE2ruDSO~bBPmJQmryp0qe6828wQpHK3A38y9c2k~dl-obUo0W0ILz0sbiFNlVhboF73FDdOkMN5zokdaGyuI7xJZsL9lwWCD6RONBQLK7xFcZFD0IiXyPQc9i~F8zjCF0tT~cFmrmGpgck~IYyrhDV5Bj~A4nhvyhF4PYjUshJ8tvN1sd~EK5nUw~A5tNk375ocI9HIJ~2otTHJwKZyctfq1qxF73u4vIeEKrJaRo9mIKgLz-4c84ZdtyqhXUaC~CIrmtWyD0KypxYgoVjB95~IzUu8IVaJiZLQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Article navigation
Winter 2016
December 01 2016
Erratum: Book Review of The Cambridge Introduction to Theatre Directing, by Michael Earley (TDR 59:1 T225 Spring 2015)
Online ISSN: 1531-4715
Print ISSN: 1054-2043
©2016 New York University and the Massachusetts Institute of Technology
2016
TDR/The Drama Review (2016) 60 (4 (232)): 9.
Citation
Erratum: Book Review of The Cambridge Introduction to Theatre Directing, by Michael Earley (TDR 59:1 T225 Spring 2015). TDR/The Drama Review 2016; 60: 4 (232), 9. doi: https://doi.org/10.1162/DRAM_e_00614
Download citation file:
/10.1162_dram_e_00614/5/dram_e_00614.pdf.gif?Expires=1704805891&Signature=34oSIm0DEp5islBPFACl5h4iagaoFlU8xbOqaNPsE1gfUdkU6mET7OQC1PD-cM1eMJJHhV75kuzWwpqHuWAqbbf7XOwrOe30q5oDsqqxJaXfrfeYNRa-P-Ln2ro72vu8NxJl3GHrXmuOMaD9Xk3wbqcf~5bhBSi8TfSPqVXucFU2eLjLwIn8E4-nM7unzAw6c7TpW6Dnw-aipzphRgsPEQGMwbRe0YAhUr4L63LmJF2ko6D~nCLJimn1XqmC90EbJRS7xst~T1IinAE9arr9hH8hR3ErMDA6M-RBNpWoXtB9fRtDLMBM6NMh~~6VgcaheuRyAQyhiWapr-zzV7g8vg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
3
Views
Advertisement
Cited By
Related Articles
How to See Black Space in Total Whiteness: taisha paggett’s underwaters (we is ready, we is ready) and the 2014 Whitney Biennial
TDR/The Drama Review (September,2017)
Sara Brady Returns to TDR
TDR/The Drama Review (December,2016)
Performance on the Eve of Negro Spring
TDR/The Drama Review (December,2014)
Erratum: “Choreographing the Weather—Weathering Choreography” by Gerko Egert (TDR 60:2 T230 Summer 2016)
TDR/The Drama Review (December,2016)
Related Book Chapters
SPRING
Dream City: Creation, Destruction, and Reinvention in Downtown Detroit
Spring Models
The Art of Insight in Science and Engineering: Mastering Complexity
Winter and Spring
The Limit of the Useful
Spring Flood
Writing on Water