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Summer 2017
June 01 2017
The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution
The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution
. By Jeremy Matthew
Glick
. New
York
: New York University Press
, 2016
; 296 pp.; illustrations. $89.00 cloth, $27.00 paper, e-book available
.
Paige A. McGinley
Paige A. McGinley
Paige A. McGinley is Associate Professor of Performing Arts at Washington University in St. Louis. Her first book, Staging the Blues: From Tent Shows to Tourism received the 2014 Errol Hill Award from the American Society for Theatre Research. She is
Coeditor of the Books section of TDR. pmcginley@wustl.edu
Search for other works by this author on:
Paige A. McGinley
Paige A. McGinley is Associate Professor of Performing Arts at Washington University in St. Louis. Her first book, Staging the Blues: From Tent Shows to Tourism received the 2014 Errol Hill Award from the American Society for Theatre Research. She is
Coeditor of the Books section of TDR. pmcginley@wustl.edu
Online Issn: 1531-4715
Print Issn: 1054-2043
©2017 New York University and the Massachusetts Institute of Technology
2017
TDR/The Drama Review (2017) 61 (2 (234)): 178–180.
Citation
Paige A. McGinley; The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution. TDR/The Drama Review 2017; 61: 2 (234), 178–180. doi: https://doi.org/10.1162/DRAM_r_00657
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