Abstract
Edward Bond’s latest play, Dea, depicts numerous scenes of sex and violence, dramatizing a catastrophic view of the world and questioning the boundaries of madness and moral integrity. Revisiting the Medea myth, the play calls attention to our callousness in the face of the innumerable acts of violence in our contemporary world.
Issue Section:
Critical Acts
©2017 New York University and the Massachusetts Institute of Technology
2017
New York University and the Massachusetts Institute of Technology
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