Skip Nav Destination
Article navigation
/7/m_dram.2017.61.issue-3.cover.jpeg?Expires=1678636291&Signature=puG~lg-V4vTmrdmmKYq5fpkC5wcfBVjCtwQeyBLfKmn7e2qWpB1POWuiO3-O-ckl-r1LxDhZmuo3IpIerw1cgo-6NSfBUxuf3IjcIEbewB~6p9ZmrmnkmZrOLzklL0qiYgO9J2MOCO4sTzelDS34iKbB8TKMeB1y2BuwCN3c~Z945aZ~NM1UbcHPrynY59wxHwMJQ8Z2EeYPdeYA0fFz3R7qyIozvG3R~20dF7qK5FGjO~XlzDt9bEzIa4d-FynxIfUuZiMxiYD-N7ARVv6uEWzwm~mDrM6Us7rDR-UCsJdZQWuM0xIUUsFXy0izTTjzVEoFvXlFUCzZKEu~6lHDZg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
September 01 2017
Tragedy and Dramatic Theatre
Tragedy and Dramatic Theatre
. By Hans-Thies
Lehmann
. Translated by Henry Erik
Butler
. London
: Routledge
, 2016
; 466 pp.; $125.00 cloth, $49.95 paper, e-book available
.
W.B. Worthen
W.B. Worthen
W.B. Worthen is the Alice Brady Pels Professor in the Arts at Barnard College, where he chairs the Department of Theatre. He is codirector of the PhD Program in Theatre at Columbia University, where he is also Professor of English and Comparative Literature, and Professor of Theatre in the School of the Arts. His most recent books are Drama: Between Poetry and Performance (Blackwell, 2010) and Shakespeare Performance Studies (Cambridge, 2014). He is currently writing a book on theatre as technology. wworthen@barnard.edu
Search for other works by this author on:
W.B. Worthen
W.B. Worthen is the Alice Brady Pels Professor in the Arts at Barnard College, where he chairs the Department of Theatre. He is codirector of the PhD Program in Theatre at Columbia University, where he is also Professor of English and Comparative Literature, and Professor of Theatre in the School of the Arts. His most recent books are Drama: Between Poetry and Performance (Blackwell, 2010) and Shakespeare Performance Studies (Cambridge, 2014). He is currently writing a book on theatre as technology. wworthen@barnard.edu
Online Issn: 1531-4715
Print Issn: 1054-2043
©2017 New York University and the Massachusetts Institute of Technology
2017
New York University and the Massachusetts Institute of Technology
TDR/The Drama Review (2017) 61 (3 (235)): 180–181.
Citation
W.B. Worthen; Tragedy and Dramatic Theatre. TDR/The Drama Review 2017; 61: 3 (235), 180–181. doi: https://doi.org/10.1162/DRAM_r_00682
Download citation file:
/10.1162_dram_r_00682/4/dram_r_00682.pdf.gif?Expires=1677977523&Signature=LDi7PssZICnQsJNqNYn0T7qSviNSMMXwItPpYArtGvkMAtYO4DwjBZhbGCC-PzwdbIElg85YFBeWiwNkiGa24HQWyuD3mY1PWbubF2lJC5-1Zq~0mrk5EhuGCLPcYvHSIJC0Qsa46ddoxDK6bjU0SoThdUYFnR72Nze~NlTG4CpobpVJgUmtSHz-HXUajf~yFw~qRXE24zrsqovz1iPAaumJXOWMEZAAyLtdZuU0sVRH3bRHN722aqKwt3C0qKzQDDQRUIRfNolrMGyJjvAHW3I1hQE5V6CvWnnMw9k2LHREkio-tr5DbJgEPU~cSMLHIVBcFO-cskbjj~n3lFnz6Q__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
12
Views
Advertisement
Cited By
Related Articles
Moving Together: Theorizing and Making Contemporary Dance
TDR/The Drama Review (September,2017)
After Live: Possibility, Potentiality, and the Future of Performance
TDR/The Drama Review (September,2017)
Spectacular Disappearances: Celebrity and Privacy, 1696–1801
TDR/The Drama Review (September,2017)
Performance; What Is Performance Studies?
TDR/The Drama Review (September,2017)
Related Book Chapters
From Models and Dramatizations to Education and Recreation
States of Childhood: From the Junior Republic to the American Republic, 1895-1945
Chiaroscuro is the dramatic contrast of dark and light in an image.
101 Things to Learn in Art School
Tragedy
Beyond Climate Breakdown: Envisioning New Stories of Radical Hope
Infernal Din, Heavenly Tunes: Repertoires of Dramatizing Sound
Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century