Abstract

Christopher Chen’s Caught in the Play Company’s 2016 production at La MaMa provokes its spectators by denying them easy access to “truth,” either in the theatre or in the social life that theatre represents. By investigating the situation of dissident artists in today’s China, Caught engages questions about truth in and beyond art. In Caught very little turns out to be what it seems.

This content is only available as a PDF.
You do not currently have access to this content.