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Winter 2017
December 01 2017
Embodied Avatars: Genealogies of Black Feminist Art and Performance
Embodied Avatars: Genealogies of Black Feminist Art and Performance
. By Uri
McMillan
. New York
: New York University Press
, 2015
; 304 pp.; illustrations. $89.00 cloth, $29.00 paper, e-book available
.
Gillian Turner Young
Gillian Turner Young
Gillian Turner Young is a PhD candidate at Columbia University. Her dissertation, “Joan Jonas’s Tele Vision, 1968–1984,” examines Jonas’s role in the intertwined formation of performance and video art in the 1970s. Her writing has appeared in Art in America, PAJ: A Journal of Performance and Art, and TDR. gty2104@columbia.edu
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Gillian Turner Young
Gillian Turner Young is a PhD candidate at Columbia University. Her dissertation, “Joan Jonas’s Tele Vision, 1968–1984,” examines Jonas’s role in the intertwined formation of performance and video art in the 1970s. Her writing has appeared in Art in America, PAJ: A Journal of Performance and Art, and TDR. gty2104@columbia.edu
Online ISSN: 1531-4715
Print ISSN: 1054-2043
©2017 New York University and the Massachusetts Institute of Technology
2017
New York University and the Massachusetts Institute of Technology
TDR/The Drama Review (2017) 61 (4 (236)): 165–166.
Citation
Gillian Turner Young; Embodied Avatars: Genealogies of Black Feminist Art and Performance. TDR/The Drama Review 2017; 61: 4 (236), 165–166. doi: https://doi.org/10.1162/DRAM_r_00702
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