Abstract
Israeli playwright and director Eyal Weiser challenges the language of performance by creating fictional performance artists who respond to real events in Israel. By reintroducing fiction and theatricality into the autobiographical mode of performance art, Weiser destabilizes a coherent sense of identity and underscores some of the complex issues of history and identity facing Israeli society.
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Articles
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©2017 New York University and the Massachusetts Institute of Technology
2017
New York University and the Massachusetts Institute of Technology
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