Abstract
From the highly lauded ERS production Gatz to the Danish initiative of humanlibrary.org, theatrical representations of “human books” appear to be proliferating, even as novelists are attempting to blur the boundaries between performance and text. What can the approximation of novels and theatrical productions teach us about the performative possibilities of fiction?
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©2018 New York University and the Massachusetts Institute of Technology
2018
New York University and the Massachusetts Institute of Technology
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