Skip Nav Destination
Article navigation
/12/m_dram.2018.62.issue-3.cover.jpeg?Expires=1660075804&Signature=rsw9a1OBGbeUMMMdzzBK6OF6V7F-TfkJzoM1g4bMQyfOy6cohfWyWc4UfZJjRMXDaSXa~-W6qAiOhzACSsstMZVde3BpBmw5xj7HzNQdaEk6bKsEmOXOzF-~3EyU~uZXwYtb1abcXNUD01nDc9BFoRVGF~S5PjP1E540ITfb-47C5gq1qW-n-zuzckyjE1vcwx2-G6UwtK8accMNiviLkBrE~H0qI6hArlbAn77Nnoh5OAoyQT2rZ64wos0LMwsDVFXSdTdGWC2gpWKdyBAmzZi5wA4D5sdz6CChb1qUhU7rtBAem3C~MjYA1PaWLgDuLqsFwMXryb8k9rCYJ007OA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
September 01 2018
The Craft of Ritual Studies
The Craft of Ritual Studies
. By Ronald L.
Grimes
. Oxford
: Oxford University Press
, 2013
; 432 pp.; illustrations. $115.00 cloth, $ 33.95 paper, e-book available
.
Helen Phelan
Helen Phelan
Helen Phelan is Professor of Arts Practice at the Irish World Academy of Music and Dance, University of Limerick, Ireland, and author of Singing the Rite to Belong: Music, Ritual and the New Irish (Oxford University Press, 2017). Helen.Phelan@ul.ie
Search for other works by this author on:
Helen Phelan
Helen Phelan is Professor of Arts Practice at the Irish World Academy of Music and Dance, University of Limerick, Ireland, and author of Singing the Rite to Belong: Music, Ritual and the New Irish (Oxford University Press, 2017). Helen.Phelan@ul.ie
Online Issn: 1531-4715
Print Issn: 1054-2043
©2018 New York University and the Massachusetts Institute of Technology
2018
New York University and the Massachusetts Institute of Technology
TDR/The Drama Review (2018) 62 (3 (239)): 177–178.
Citation
Helen Phelan; The Craft of Ritual Studies. TDR/The Drama Review 2018; 62: 3 (239), 177–178. doi: https://doi.org/10.1162/dram_r_00780
Download citation file:
/10.1162_dram_r_00780/5/dram_r_00780.pdf.gif?Expires=1660075805&Signature=yjRLwNeT7w3sHlmnmPqtIw3dQsnhBh6euk0~n8bxz-ZGPzGAwMUT1F--Od5D7diVvWHYp8H9vE5NA-GYR14Fmgnlrx9e7HuKbb9QDUsTrjVCs6AoJ6QC~2SYQOsYbZh5qdn-0jhkzi0NNLbX310PuVvLzbIeTUFH7mkUIsRlM-N0~bye5gg~-Uq8kzbTD1GBhlbEEi4L2fc846bHTWesiAtEuR3~Hk-FcYSFbLpO4i2kJRzRhj6R~ZBZ6Jpa~Q4FTyLUlTk3tIqtlE~j56vo9VPp~29ojKOpXmNb3hDi80QQs7VyqJCcoW~PXAl2weMsvL1nkyHF7cc5fsT87nfIZQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
45
Views
0
Citations
Advertisement
Cited By
Related Articles
DOC/UNDOC: Documentado/Undocumented Ars Shamánica Performática
TDR/The Drama Review (September,2018)
Soft Is Fast: Simone Forti in the 1960s and After; Rhythm Field: The Dance of Molissa Fenley
TDR/The Drama Review (September,2018)
Performance Studies in Canada
TDR/The Drama Review (September,2018)
Related Book Chapters
Crafts of the Will
Open Minds: The Social Making of Agency and Intentionality
Crafting Cultures
Communities of Play: Emergent Cultures in Multiplayer Games and Virtual Worlds
The Persistence of Craft
A Hammer in Their Hands: A Documentary History of Technology and the African-American Experience
Craft and Material
The Design Way: Intentional Change in an Unpredictable World