Skip Nav Destination
/12/m_dram.2018.62.issue-3.cover.jpeg?Expires=1656785425&Signature=q3~ZrlG8krFMMMmfiQZ-j4vWtQHsoO--gNLJpn0fDvEo9iKt2tdHPSDi-H2U6tLH9t6k65CRATIUc2AfEsvaZEiArRPk-3Km4sbnFPcBqeKSW6EM6AHUXW6ayutfcLkytdAhOGjQymUc3~avoHT8BIZX-TGzHBvljPv-gWEKoGrr17TP-11KRGPkoW7mPOtYn32E-Q9Pf6HqXgv6ZSO7iUzPFDzjzlX77aU5weTvwyefbnH0jrUz12w29ZKMFBGrmPP273H6~xT~wcHN9VUoPZYlb-KxWT-mz20lmaC21G-TolPsuXenGPckbN8vdJ8aH81QPCqGsiTgWMW6zuBidw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Article navigation
Fall 2018
September 01 2018
More Books
Coleman Nye
Coleman Nye
Coleman Nye is Assistant Professor of Gender, Sexuality, and Women’s Studies at Simon Fraser University. Her publications include the graphic ethnography Lissa: A Story of Friendship, Medical Promise, and Revolution (University of Toronto Press, 2017), as well as articles in TDR, Women & Performance, and Performance Matters. She holds a PhD in Theatre and Performance Studies from Brown University. anye@sfu.ca
Search for other works by this author on:
Coleman Nye
Coleman Nye is Assistant Professor of Gender, Sexuality, and Women’s Studies at Simon Fraser University. Her publications include the graphic ethnography Lissa: A Story of Friendship, Medical Promise, and Revolution (University of Toronto Press, 2017), as well as articles in TDR, Women & Performance, and Performance Matters. She holds a PhD in Theatre and Performance Studies from Brown University. anye@sfu.ca
Online Issn: 1531-4715
Print Issn: 1054-2043
©2018 New York University and the Massachusetts Institute of Technology
2018
New York University and the Massachusetts Institute of Technology
TDR/The Drama Review (2018) 62 (3 (239)): 195–197.
Citation
Coleman Nye; More Books. TDR/The Drama Review 2018; 62: 3 (239), 195–197. doi: https://doi.org/10.1162/dram_r_00786
Download citation file:
/10.1162_dram_r_00786/5/dram_r_00786.pdf.gif?Expires=1656785496&Signature=N242aMrQb53-M1bIs2AihJZnxlA42nhyavbpTIVPhgZDLr4~q2BTlXHKYdP4~cSPwlKhPNwNLq6nX9u5sY1YggvRApiwxa-87kvgETHm0mLVl8Cj1q7AY6MAUN9FpyoVNtgy27ks-S5Q2L6LAozJrkbCoxIa-sYwk5zaQgkSpGmPL9aHXVf1~d7IXpTUFdKWS7gVAbc3o3VjWdL-lSzB08bLd6AFxPYn6smacxY9jMKUoidQUry4taLVAcCcM7n0KYva0Nn6AXNSTC3F8NNgeLxA1pexjHWVQtj0ba2lo1gRjByXNs4GA1IPTXYoRPL5nCHJUuD6kVZkC-~L~l7RjA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
35
Views
0
Citations
Advertisement
Cited By
Related Articles
DOC/UNDOC: Documentado/Undocumented Ars Shamánica Performática
TDR/The Drama Review (September,2018)
Soft Is Fast: Simone Forti in the 1960s and After; Rhythm Field: The Dance of Molissa Fenley
TDR/The Drama Review (September,2018)
Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955–1972; The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci
TDR/The Drama Review (September,2018)
Performance Studies in Canada
TDR/The Drama Review (September,2018)
Related Book Chapters
Learn More
Health Design Thinking, Second Edition: Creating Products and Services for Better Health
More than Products
Banking the World: Empirical Foundations of Financial Inclusion
Three More Dimensions
Evolution in Four Dimensions: Genetic, Epigenetic, Behavioral, and Symbolic Variation in the History of Life
Foreword: Gramsci, but More Pragmatic
Epidemic Illusions: On the Coloniality of Global Public Health