Skip Nav Destination
/10/m_dram.2018.62.issue-4.cover.jpeg?Expires=1682702372&Signature=f8x0RGiXrL1nMkgQWaEG3hSc6wkCq-n3IzuZg10Up4EfcoVAJ7i1M6mUtT4hQCqChQgztLAlBl4Jl-DIjRfibIVB-ABI9dS3JVMv1XLEmGdKelTc3Yy8Z9b2iUHSSUB8w9kAchFasi1hbzJQVzZWGKLWjMslZPzxL-N15O6RiBK~nonlPpRHdSnKgGLBAopRktov0ycSWU90JnEwP2spSXckABmNhmbf7N0sIlMXrFrH5~eBJvMf6Gc2EkR~m5Me3Bd02ZCdXD~9h8rVMwVXXYLsB-epUjiui4PjvlICX0g~2Sm-EKhXHTUVC0kTb9ArwCHLnuLj4~3AoFzx~f0-UA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Article navigation
Winter 2018
December 01 2018
Singularities: Dance in the Age of Performance
Singularities: Dance in the Age of Performance
. By André
Lepecki
. London
: Routledge
, 2016
; 194 pp. $125.00 cloth, $39.95 paper, e-book available
.
Sima Belmar
Sima Belmar
Sima Belmar is Lecturer in the Department of Theater, Dance, and Performance Studies at the University of California, Berkeley. Her writing on dance has appeared in the Journal of Dance & Somatic Practices, Performance Matters, San Francisco Bay Guardian, Dance Magazine, and The Oxford Handbook of Screendance Studies, among other publications. She currently writes the “In Practice” column for the Dancers’ Group publication In Dance. simabelmar@berkeley.edu
Search for other works by this author on:
Sima Belmar
Sima Belmar is Lecturer in the Department of Theater, Dance, and Performance Studies at the University of California, Berkeley. Her writing on dance has appeared in the Journal of Dance & Somatic Practices, Performance Matters, San Francisco Bay Guardian, Dance Magazine, and The Oxford Handbook of Screendance Studies, among other publications. She currently writes the “In Practice” column for the Dancers’ Group publication In Dance. simabelmar@berkeley.edu
Online Issn: 1531-4715
Print Issn: 1054-2043
©2018 New York University and the Massachusetts Institute of Technology
2018
New York University and the Massachusetts Institute of Technology
TDR/The Drama Review (2018) 62 (4 (240)): 167–169.
Citation
Sima Belmar; Singularities: Dance in the Age of Performance. TDR/The Drama Review 2018; 62: 4 (240), 167–169. doi: https://doi.org/10.1162/dram_r_00804
Download citation file:
/10.1162_dram_r_00804/5/dram_r_00804.pdf.gif?Expires=1681242318&Signature=uGKPOcNNNSJr9FoKZHYiURZt2EziXS4ASzhnpP-WIRpdeMmqDBOYhSvI2WjuCjgOUyFPzeTrfp~XqEwIcT5zdWWjiq7C0zpmto52W1PPi0WW6rQ3fo2xJHwacuQrGVB05X3HryrMNysZfiTj9rTs4VbgQ6DGXRpHL6N05qaZorMr3X3yyR5ijG3dYwAR-yob93x0xN6LO3v~4T6uS4du7luNIRsctaZW-yx1lo3baO92VosFAGFm~aoggZkOQDxTAF-Q8wf1lD6f3-HAjR56sYYE9i2TQ8sNwGVVtHL8wpk~0Nn62vrBP3kW4FTp2OIABKmy3-7rygdqaj5075zrrw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
Advertisement
Cited By
Related Articles
Lovecidal: Walking with the Disappeared
TDR/The Drama Review (December,2018)
Black Performance on the Outskirts of the Left: A History of the Impossible
TDR/The Drama Review (December,2018)
Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life
TDR/The Drama Review (December,2018)
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics ; Tahrir Tales: Plays from the Egyptian Revolution
TDR/The Drama Review (December,2018)
Related Book Chapters
The Singular-ity
Beyond Data: Reclaiming Human Rights at the Dawn of the Metaverse
'That'-Clauses as Singular Terms
Oratio Obliqua, Oratio Recta: An Essay on Metarepresentation
Chapter 33: Contemplating Singularity
Throughout: Art and Culture Emerging with Ubiquitous Computing
Meaning does not exist in the singular.
101 Things to Learn in Art School