Skip Nav Destination
/10/m_dram.2018.62.issue-4.cover.jpeg?Expires=1682700325&Signature=wksqI95hNNW8Avpc1fuXmApZpfSgsJuMhymRqygtgh8aNSqQolAcGG9o1GeEL3C~HkEtnGhw9LGSMvF4S4bFT87ElyzhRhYTcAahJ39LE3OInHaD36KcBfldB1VXNeMSaNXSsmDTc6JG2LPYsNPbY-J7VSaH21irqgh9pfzMSTlCrXrUx9kJp4PPbMLHsPfxEHXi8Ph7EoZDPJHk-jW0LYVN~i2VumJbIXN4ws7afflKFg4Fko3XjuQQb2d3rYpEP-3swyb8mjDIIQu3DSkomTc8AD660guEh9FYz3L4T6r3oi4bx6zrHg5gm-KQU6UK75aG5fUzdH2ZvpBeQePEnA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Article navigation
Winter 2018
December 01 2018
Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life
Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life
. By Megan
Lewis
. Iowa City
: University of Iowa Press
, 2016
; 272 pp.; illustrations. $55.00 paper, e-book available
.
Christopher Martin
Christopher Martin
Christopher Martin is a PhD candidate and playwright in the Department of Theatre at the University of Kansas. His research interests include critical race theory, whiteness studies, transnational performance, and revisionist theatre history. His dissertation, “Stages of Whiteness: Marking Power and Privilege in US and German Popular Performance,” explores the strategic protection of whiteness in contemporary theatre and television performance. chris.martin@ku.edu
Search for other works by this author on:
Christopher Martin
Christopher Martin is a PhD candidate and playwright in the Department of Theatre at the University of Kansas. His research interests include critical race theory, whiteness studies, transnational performance, and revisionist theatre history. His dissertation, “Stages of Whiteness: Marking Power and Privilege in US and German Popular Performance,” explores the strategic protection of whiteness in contemporary theatre and television performance. chris.martin@ku.edu
Online Issn: 1531-4715
Print Issn: 1054-2043
©2018 New York University and the Massachusetts Institute of Technology
2018
New York University and the Massachusetts Institute of Technology
TDR/The Drama Review (2018) 62 (4 (240)): 175–177.
Citation
Christopher Martin; Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life. TDR/The Drama Review 2018; 62: 4 (240), 175–177. doi: https://doi.org/10.1162/dram_r_00808
Download citation file:
/10.1162_dram_r_00808/5/dram_r_00808.pdf.gif?Expires=1681770784&Signature=4BZlzKUFF0Y-rO5GGKsK4ClUzkvsJ-d-W0AGfxbQdZ6F8tBBbZmLwG4O8WAyidqZh-GG82jUqoVxbUM9Hdz9X0XcD3oeLUgNFEXsHm8iU7F-yQBcfKDyC0qlAyd7IMsbMxWE3lodfAYOlGAKZ9Jg~XfY59oVkSh8lusk-DIiBh5Ww4n1uzt8Uzcp6C4CeHZLMM9y7Z-Ruaf7cpOysjxuPNrQzBFQ07c-tAinhspR1ukDI2Fk5WKT7ESNvlLe5Pb4FAscr7zeQbXW9Qe5CKLQvWvjLcZ0Oah5pHoW414ho4446JG4zn2-ITXXqmMUwYk1UdaFsixDhs3g~KP4pjQoJA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
17
Views
Advertisement
Cited By
Related Articles
The Cowboy Capitalist: John Hays Hammond, the American West,
and the Jameson
Raid
The Journal of Interdisciplinary History (March,2019)
Rave New World: Trance-Mission, Trance-Nationalism, and Trance-scendence in the “New” South Africa
TDR/The Drama Review (September,2001)
“White Cities,” “Diamond Zulus,” and the “African Contribution to Human Advancement”: African Modernities and the World's Fairs
TDR/The Drama Review (September,2007)
The Scene of Foreplay: Theater, Labor and Leisure in 1960s New York
TDR/The Drama Review (December,2018)
Related Book Chapters
The Postcolonial Era
In the Images of Development: City Design in the Global South
South Asia
Fighting Words: Language Policy and Ethnic Relations in Asia
The Crisis of Whiteness
White Sight: Visual Politics and Practices of Whiteness
Destroy White Supremacy
Knowledge Justice: Disrupting Library and Information Studies through Critical Race Theory