Abstract
Between the choreographer Simone Forti’s 1960 score Huddle and the call of the 2017 Women’s March to form “huddles,” huddling emerges as both an image of politics and a rehearsal for political practices that continues to resonate today.
Issue Section:
TDR Continued…
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©2018 New York University and the Massachusetts Institute of Technology
2018
New York University and the Massachusetts Institute of Technology
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