Abstract
Israeli art of the 1960s–’70s was a thriving scene of performative art practices, of which very little is known to the international community of performance researchers. Evolving gradually in response to new trends on the American and European art scenes, these performative manifestations reacted to and reflected the specific local circumstances that would eventually result in a major change in the country’s life, culture, and art.
Issue Section:
Articles
This content is only available as a PDF.
©2018 New York University and the Massachusetts Institute of Technology
2018
New York University and the Massachusetts Institute of Technology
You do not currently have access to this content.