Abstract
Brussels-based theatre Koninklijke Vlaamse Schouwburg (KVS) relocated part of its program to Kinshasa in the Democratic Republic of the Congo to collaborate with Kin artists and partners. Experimenting with a participatory curatorial approach, the KVS gradually moved from a model that showcased local artists to an interactive encounter in which sharing and discussing cultural processes became as important as the performances.
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©2019 New York University and the Massachusetts Institute of Technology
2019
New York University and the Massachusetts Institute of Technology
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