Abstract
Fabio Mauri’s performance Intellettuale, set in the context of the opening of Leone Pancaldi’s new building for the Museum of Modern Art in Bologna, summed up a life-long collaboration and controversy between Pier Paolo Pasolini and Mauri about the fate of Western art after WWII. In the context of Pancaldi’s building, Intellettuale throws into relief the cultural and ideological project of Pasolini’s filmmaking and its relation to the body art of the 1960s–’70s.
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©2019 New York University and the Massachusetts Institute of Technology
2019
New York University and the Massachusetts Institute of Technology
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