Abstract
In their intercultural production Kayoi Komachi/Komachi Visited, creators Colleen Lanki and Farshid Samandari experimented with mixing Japanese noh and Western chamber opera, blending noh and opera music, classical Japanese and English. For this noh opera, which hybridized theatrical styles through language, interlingualism was key to its interculturality.
©2019 New York University and the Massachusetts Institute of Technology
2019
New York University and the Massachusetts Institute of Technology
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