Nearly 10 years after Hello Hi There (2010), the proliferation of algorithmically generated fakes, copies, frauds, bots, and trolls casts the project of algorithmic theatre in a newly ambiguous light. How should theatre, with its long history of problematizing questions of appearance, impersonation, illusion, truth, and falsehood, respond to these new forms of data-driven representations?

This content is only available as a PDF.
©2019 New York University and the Massachusetts Institute of Technology
2019
New York University and the Massachusetts Institute of Technology
You do not currently have access to this content.