/2/m_dram.2019.64.issue-2.cover.jpeg?Expires=1682524186&Signature=Ay0MRYQE6BObZfG~EgIyd42h~EN6cIP7pVGcLq-CcGiorwK73ePRskY6EO77ePDuX~NBsJJ9Hr4Hzxc-8sFUGMtHnq7VNyxtEYtsFUAx9hqFMA65qgQNrB2AVMi5t1K5Rs4QUtWMhqFe-e-o29iKz62H5GVEq2xIVVIT96059VFsB~N31swzNcgHaGZZM7mskl9vz1v29wU~fbHOEqg0CER6A7pErKKaofc~vrxgEJU0AG42vnRY2Vn90frfkuijQil6eS3DGPn1naFrdwoh~1pZs46yor1qR7kR9Uf9hvuJlpTv6YydZOLzyUNDmrG4k-8Y6x2IAMG4ZNLjqyfnUA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Abstract
Nelisiwe Xaba’s Fremde Tänze is a remarkable exercise in transplanted exoticism. Its trenchant critique of German imaginings of racialized and eroticized Others unavoidably took on different meanings when Xaba performed it in Chicago in the fall of 2017.
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©2020 New York University and the Massachusetts Institute of Technology
2020
New York University and the Massachusetts Institute of Technology
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